The Gargantius Effect is the brainchild of Murray Campbell (violin, oboe and electronics) and Randy McKean (reeds). Like the Stanislaw Lem story of the same name, in which armies of warring soldiers are linked together to form a peaceful, blissfully-aware omni-mind, so, too, these long-time collaborators channel their contrarian impulses into synchronized bouts of free improvisation, compositional constructs and mechanized mayhem.
Murray Campbell has described himself as a Sonologist ever since it was recommended to him as a more respectable occupation than “musician” for the purposes of immigration control. In this capacity he is working with Alex Fiennes on an octaphonic spatialisation system to be un-muted at Dialogues 2007. He currently resides in the foothills of the Sierra Nevada mountains in California where he is designing an off-grid solar-powered geodesic wavefront recreation system with the aim of upsetting the bears. He finds writing about himself in the third person slightly disturbing.
Randy McKean has burrowed into the foothills of the Sierra Nevada but still wants to blow your mind. Whether his mission is executed by his chamber jazz quartet Bristle, through sideman gigs with the likes of the Euro Café messabouts Beaucoup Chapeaux, or via performances of his pieces for orchestra or string quartet, matters not to him, as long as his objective is achieved. Perhaps one of his CDs—Bristle’s Bulletproof (Edgetone), So Dig This Big Crux (Rastascan), or the Great Circle Saxophone Quartet’s Child King Dictator Fool (New World)—will do the job.
Gargantius Effect +1 +2 +3 (Nor Cal, 08-2011)
This digital release documents GE’s August 2011 tour of Northern California with special guest and fellow Sonologist Han-Earl Park (+1), Gino Robair (+2), and Scott Looney (+3)